HF-IS (Healing Fragments in Space) is a large format art merchandising. Four scars were printed by hand in a two-color silkscreen process on a transparent, oversized sticker sheet.
The four scars are individually peelable and can be used by the owner* and adhered to walls and all smooth surfaces. The whole sheet also functions as a picture and can be framed as a whole. Already in past works Klara Kayser uses the space as a body. The scars stand for healed wounds and are thus symbols of renewal.
Klara Kayser (*1986, Hannover, DE) lives and works in Tel Aviv and Berlin. She studied Book Arts and Crafts at the London College of Communication, communication design at the HBK Braunschweig and fine arts at the Kunstakademie Düsseldorf in the class of Katharina Fritsch and Andreas Gursky. Influenced by a pop-socialized generation, Klara Kayser's work is both sculptural and lyrical. Kayser's texts are often translated into objects, sculptures, text fragments, audio whispers, and poems. She reflects on gender roles and excessive body cults, but also on the longing for love, spirituality and exoticism, which she paradoxically transforms into meaningless symbols, clichés, entertainment trends, kitsch and consumption.
The four scars are individually peelable and can be used by the owner* and adhered to walls and all smooth surfaces. The whole sheet also functions as a picture and can be framed as a whole. Already in past works Klara Kayser uses the space as a body. The scars stand for healed wounds and are thus symbols of renewal.
Klara Kayser (*1986, Hannover, DE) lives and works in Tel Aviv and Berlin. She studied Book Arts and Crafts at the London College of Communication, communication design at the HBK Braunschweig and fine arts at the Kunstakademie Düsseldorf in the class of Katharina Fritsch and Andreas Gursky. Influenced by a pop-socialized generation, Klara Kayser's work is both sculptural and lyrical. Kayser's texts are often translated into objects, sculptures, text fragments, audio whispers, and poems. She reflects on gender roles and excessive body cults, but also on the longing for love, spirituality and exoticism, which she paradoxically transforms into meaningless symbols, clichés, entertainment trends, kitsch and consumption.
